Last update:
July 13th
2005

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NameTwelve Monograms, or Silver Anniversary Egg, or Twelve Panels Egg

Date1895

ProvenancePresented by Nicholas II to Dowager Empress Maria Fyodorovna

Made inSt. Petersburg

Work-masterMikhail Perkhin

MarksN/A

MediaRed gold, rose-cut diamonds, portrait diamonds, velvet lining

Size7,9 cm tall - 5,6 cm diameter

Techniquestranslucent blue enamel

Kept inHillwood Museum and Gardens, Washington, DC (Post Collection)
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eggIn 1885, Alexander III initiated the custom of presenting his wife Maria Fedorovna with a Fabergé egg each Easter. Beginning with this particular egg, Nicholas II continued the family tradition.

After the death of Alexander III, in the short time remaining before the Easter holiday in 1895, Fabergé had not only to rework the egg that had originally been planned for Maria prior to her husband's death, but also to create an appropriate egg for Alexandra. The Twelve Monograms egg was the first Fabergé egg given by Czar Nicholas to his mother. Featuring in diamonds the royal insignia of Czar Alexander III set against a deep blue enamel background, Fabergé's understated creation was a fitting tribute for the mourning Dowager Empress.

The gold egg is covered with six blue champlevé enameled panels, each panel being divided by bands set with rose-cut diamonds, gilt with scrolls, and decorated with the Imperial crown and the Imperial monograms "MF" and "AIII," which are set in rose-cut diamonds, each monogram appearing six times; a portrait diamond surrounded by smaller diamonds surmounts the egg and another is set under the egg. Marie Fedorovna's monogram appears on the top half of the egg, Alexander III's, on the bottom half. The egg was a gift for Czar Alexander III's twenty-fifth wedding anniversary.

From this point on there are two eggs made each year, one for the Tsarina Alexandra Fedorovna, and one for the Dowager Empress Marie Fedorovna.

In 1949 Marjorie Merriweather Post, General Foods heiress, purchased the egg. In 1973 after her death the 12 Monogram Egg became part of the collection of Hillwood Museum and Gardens, which had been her home in a suburb of Washington, DC.

inThe egg opens but the surprise is lost. Only under high magnification is it possible to notice the champlevé enamel technique. Areas for the enamel were carved out of the gold, leaving the thin red-gold ribs that form the foliate design. To the naked eye, it appears that the gold design was painted on the ovoid surface.

The Egg opens to reveal a velvet lining for the surprise, which is now lost.

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